Image courtesy of NS Newsflash, under a Creative Commons Licence
So, you want to be an arts journalist. You want to write about the arts, interview influential people and perhaps even travel the world in search of all things culture-related. So, before you go out into the world, and start trying to make a name for yourself as a promising new writer, here are a few things that you need to know. I know that some of them sound very obvious to most of us, but believe me, some people need to be told these things.
Leave Your Ego At The Door
Even if you’ve studied journalism in some form already, had work experience at a paper, or even, managed the holy grail and got some money for your writing, your ego can and will be your downfall. Writing is obviously a very useful talent to have in the industry, but listening and having respect for others is too.
This means that when your editor asks you for something, you do it.
This means that if you attend a show, gig or screening, you are a representative of your publication, you need to be on your best behaviour.
This also means that you should be polite to people you deal with, such as press officers PRs, editors and other writers. Being rude will give you a bad reputation, and also make people less likely to want to work with you.
Be Persistent
In journalism, persistence is key. Editors are very, very busy people; our inboxes fill up quickly with emails, and so if you’ve emailed someone looking for work, or pitching a piece, don’t be afraid to send them a follow-up email. The same goes for PRs and press officers; if you’re waiting on a response to a ticket request, get back in touch and ask for confirmation.
It once took me 17 emails and a phone call to arrange and confirm an email with a director, so if you don’t receive a response to your initial email, keep trying.
Listen to Feedback
Some editors will give you feedback on your work, others will not. If you are lucky enough to receive feedback on your copy, then listen to it. As an editor, having a writer that refuses to listen to feedback about their work, and who continues to make the same errors over and over again, is extremely frustrating.
Editors don’t have the time to keep correcting the same errors in a writer’s copy time and time again; they want writers that will listen to feedback.
Be Reliable
Like persistence, reliability is another skill that any young journalist should have. This means turning to shows/gigs/events/interviews on time, and then submitting copy by the deadline.
Turning up to something that you are meant to cover late, or indeed, failing to turn up at all destroys any trust your editor may have in you. Similarly, attending an event and then not submitting copy will blacklist you from that publication, and perhaps others.
Editors like to talk to one another, and if you behave poorly for one editor, others will hear about it, trust me.
Pay Attention to the Word Count
Word counts exist for a reason, and for print publications, they exist in order to make sure that the piece will fit into its allocated space without messing up the entire page its set to be printed on.
Although online journalism is obviously different to print, word counts are just as important for online publications as well. This means that you stick to the word count, so if an editor as for a 300 word review, the review needs to be 300 words, not 200, and most certainly not 600.
Speaking from an editor’s perspective, receiving an email that begins with the words “I know it’s over the word count but…” is infuriating. Learn how to self-edit, it’s a skill that will never leave you once you’ve mastered it. So don’t be lazy, stick to the word count.
Never, Ever Plagiarise
Plagiarism is another word for ripping off or copying other people’s work. Plagiarism, while not illegal, is highly immoral and a very serious problem in journalism. Being caught plagiarising can and will end your career as a journalist, as no editor or publication will work with any journalist who is caught passing off other people’s work as their own.
It’s a despicable and unforgivable thing to do, and there is never any excuse for it. Do yourself a favour, and never let yourself and your publication down by doing it – ignorance is not an excuse.
Again, I realise I may be preaching to the converted here, but spreading the word about these problems will help tackle the common issues that young journalists and their editors will face.
The Taylor Trash 